Luigi’s Mansion 3 is where the gameplay of the series has really come together for me. The original had clever mechanics, but was a bit rough around the edges, particularly with respect to the grind of catching a high health ghost. Dark Moon went a bit more mission-based and improved the mechanics a lot, but ended up feeling like a grind. This one feels like it’s finally hit a nice middle ground, and in doing so has probably finally proven that going a bit off-base with Luigi was a good call.
At its core, this one is still the Mansion gameplay that’s expected. You find ghosts, you zap them with your flashlight, and then you vacuum them up. That hasn’t really changed. However, there’s been a bunch of little additions that significantly improved the core experience. There’s a new sort of mini burst AoE move that can be used as a stun mechanic, and is occasionally used as a way to make certain ghosts able to be captured. There’s some good use of motion controls to make more precise vertical aiming much easier to pull off.
However, the most important change is the new slam attack. After having a ghost in the vacuum for a period of time (typically around 20 health), you can slam the ghost into the ground for 20 health damage. On its own this exists as a nice mechanic to more rapidly catch ghosts. However, it can also damage other ghosts, including ones that aren’t visible. This single added maneuver greatly increases the speed of capture in a general sense, eliminating a lot of grind. It also means that there are a lot of situations in which there are a TON of ghosts in the room, simply because there are now fun ways to clear a ton of ghosts all at once. It ends up being a huge boon to the fun of capturing ghosts that I wasn’t really expecting.
Despite this being listed as action/adventure, Luigi’s Mansion is really a puzzle game at heart, and there’s a bunch of cool new mechanics around that as well. The previously mentioned AoE burst can be used as a way to uncover hidden items. There’s also a new black light function of the flashlight that can cause hidden paths to appear. A plunger item has been added to the vacuum as a way to grab on and tear down blocked paths throughout the environment.
Again though, there’s one big important change that ties this all together – Gooigi. The hideous green goo clone of Luigi. At its core, this is simply a second Luigi, allowing for some interesting mechanics around two active vacuums (as well as a great built-in co-op mechanic). However, Gooigi can also slip through grates, fences, and more, allowing for the player to get to new areas that are simply blocked off to the more solidified Luigi body. In a lot of areas this plays heavily into the puzzle solving, with the player having to open paths and hold hatches for one or the other to traverse through the world. This also plays into a lot of the boss battles, where the player will be swapping heavily between the two to set traps for bosses that only one of the pair can get to at any time.
All of these tools together bring the puzzle element to a really high level, and it all works because of the changes to the overall game structure. While this is a “mansion” title, it takes place in a large hotel. Each floor has its own mini theme, and as long as you have the elevator button to the floor, you can go to it. In practice, this has a really fun cadence to completing the game – you get a floor button, go through and complete the core puzzle and boss sequence for the floor (typically around 30-40 minutes), then go on and explore a bit based on any new mechanics that you unlock. There’s always new things to find, whether it be Boos, gems, or simply more money, and there’s always a new floor on the horizon. It ends up giving the game a really good rhythm where you learn some new tricks, apply them in a strong floor, then go back and reinforce the learning by going back to old areas. It’s a rhythm that Nintendo and its second party developers have continued to show it does better than anyone in the industry, and it’s brought this game to a high point for the series.
It would be as easy to dismiss this title as it was either of the previous games in the series. After all, these aren’t Mario games, and after Odyssey, there’s a lot to live up to. However, dismissing this as a second rate title would be a huge mistake. I’d argue that this title has shown as much improvement as we’d seen in past mainline Mario titles, and it can now easily stand on its own as something worth playing. There’s a ton of really fun puzzle solving to do, and it’s wrapped around a really fun core ghost/vacuum interaction to give moments of high action amongst the moments of heavy thinking. I totally get that folks wanting a pure action platformer aren’t going to want to get after this, but those looking for a bit of that typical Nintendo magic will find a lot to enjoy here.
If you’ve played some of the recent games that Platinum has done, whether that was NieR: Automata or Bayonetta, or even something a bit older like Metal Gear Rising: Revengeance, you probably know roughly what to expect out of this one. Great action combat, over the top set pieces, a somewhat wild sci-fi story, and just enough anime tropes to not be annoying. In that regard, Astral Chain really isn’t any different. However, the combat in place shows a lot more finesse than I find typical of their games, while doing the rest of Platinum’s typical feature set as well as ever.
This game isn’t really a surprise from a setting perspective for Platinum. The tl;dr is that the world has gone through a near apocalypse, humanity is hanging on through a man-made island floating in the ocean, and demons constantly invade through portals into another dimension. This is all bits and pieces that Platinum has done before. Where they really lean into this is that the other dimensional beings are crucial to the combat, and that tie into the story is all they need to give you your core abilities that the game is centered around.
Right from the start, you’re given a controlled variant of these beings called a Legion. This is both a partner in battle, a practical RPG power curve element, and a way to hook into that story. Your ability to control Legions means you can see demonic corruption in the world (ties into XP gain), you can fight against the demons that are invading and enter portals into their dimension (main story hook), and gain some flashy as hell combat capabilities (let’s face it, this is because it’s cool as hell). All of this combined is super over the top levels of stupid, and damn does it work well. The game plays a fine line between being silly enough to be highly fun without crossing the line into boredom the entire time. In typical Platinum fashion, this ramps up slowly over time to give you bigger and badder set pieces and boss fights right until the end.
But let’s face it; combat is the most important thing going for this game. This has definitely got the usual run of hack and slash going on, but at its core that’s not really the most effective way to fight, and in practice there’s a lot of enemies that actively can’t be killed that way. Using the Legion is entirely the where combat ends up. The Legions sort of act on their own, but you’ve also got direct control over them. You can throw them towards and drag them through enemies. The chain that binds you to your Legions can be used to wrap up and stun enemies or trip enemies that are charging in your direction. Each type (Sword, Axe, Bow, Beast, Arm) have different special abilities that can be used as additional offensive or defensive capabilities both in combat and in environment traversal. Quick time events that flash up can also be used to allow your Legion to do combo attacks, defensive measures, and even parries against incoming enemy attacks.
All of this may sound complicated for a fast-paced action game, but it ends up having a really good flow to it. The Legion capabilities are all just different buttons on the controller, so you don’t have to do complicated things to activate them. It becomes more of a game of identifying weaknesses, having the right Legion out, and being ready to react when combat events are occurring. Rather than it becomes tedious to do all these things, different actions becomes second nature. A lot of this definitely comes down to fantastically well done combat tells – for example, charge attacks have a huge red line prior to attack to allow you to line up your chain trip, quick time events for parries have a visual flash and audio stinger as well as a bit of time dilation for extra activation time – but the combat pace is also really well balanced. It’s fast combat, but leans just slow enough to give you time to fairly react, allowing you to maximize damage output without turning into button spam.
By the end of the game, you end up just rolling through these things without stopping. That boss up there is only around the midway point of the game, so you can imagine how ridiculous it gets by the tail end of the game. I ended up finishing this one in about 25 hours, and there’s definitely some more to be pulled out of it. There’s multiple endings (also typical of Platinum titles), multiple difficulties, lots of side quests, cat collecting (!!!!! 11/10 game of the year), and generally just a lot of fun to be had. While I may not recommend getting a Switch for this one alone, if you’ve already got a Switch this should definitely be on your short list, at least until Bayonetta 3 comes out.
Red Dead Redemption 2 is a curious experience. So much time was clearly spent on the technology of the game, and it is super impressive. Just as impressive is the story, which manages to craft perfect heroes and villains while simultaneously ending with an epilogue that connects to the first game in a way that elevates the original’s story even more. However, the gameplay is the odd ball out. There’s a lot of pieces here to take in, but they don’t fit together in a clean way – the game often feels like a collection of parts with no collective whole. Are the parts that are great enough to recommend playing this one?
It’s nice seeing Marston near the end, and it definitely feels more like the RDR1 landscape than the rest of the game. It really connects the two titles well.
RDR2 is the type of game that I kind of dread playing. I really enjoyed the original title despite its flaws, and that really centered around my enjoyment of the story. However, that game in particular wrote itself into a corner where a direct sequel was impossible. In this case, Rockstar went with the direct prequel approach. You’re generally playing as Arthur Morgan, though RDR1’s John Marston is still around as a member of your gang.
While this game is heavily focused on Arthur, this is still entirely the story of John Marston. Throughout the game, you see the events that shape Marston in the original – why he went after the people he did, why he cared so much to rescue his family, why the FBI had cornered him to begin with. Marston ultimately becomes the best of Arthur, and the care given to the growth of Arthur’s character ultimately has the great payoff of leading into the original game through RDR2‘s fantastic epilogue chapters played through the eyes of Marston. All of the narrative pieces that come together really end up elevating the story of RDR1 while allowing us to have a story that is fantastic as its own standalone experience.
This horse in particular died when a checkpoint reload spawned the horse inside a train that I was on. I couldn’t get back to it in time. That annoying level of missing polish is pretty persistent.
However, the gameplay is a lot less polished, and it’s definitely a big negative to me. Rockstar’s titles in the past decade or so have all had fairly similar issues to me. There’s always 1000 different systems that feel like they were made independent of each other and never tied together in a cohesive manner. In GTA4 and GTA5, the driving functioned but wasn’t great. In RDR1, the horse was there and felt like a chore. In all three of those, the gunplay was quite frankly below average at best and entirely exploitable. Overall their gameplay always seems to take a back seat at a polish level to technology and story. While that has worked great for them, it’s frankly kind of a bummer to see that continue.
I’ll start with some small stuff, because I think it’s indicative of the lack of care shown to allowing the gameplay to iterate to a high polish state:
I lost track of the amount of times I was attempting to hitch my horse up, then it would continue moving forward and run people over by accident, despite me having started the button input to begin hitching. This unfortunately usually results in the police chasing after me. Given a bit of polish, have hitching automatically lock and slow down the horse into the hitch point to reduce errors. If the user lets go of the button early, then allow the horse to resume normal movement.
You can fast travel if you’re at camp, and can do a pseudo fast travel by buying train tickets. Does this mean they technically have fast travel in the game? Sure. Does not being able to arbitrarily fast travel suck? Yes. Should they have done a more modern-style fast travel where unlocking travel points allows it to happen from anywhere? Absolutely. The current system is just encouraging empty gameplay hours to ride between missions.
Skinning animals is a large part of the general upgrade path for a lot of gear in the game. Unfortunately the skin trader only has two locations – one in the far east of the map and one in the far southeast of the map, both of which you don’t really spend much time in until well into the game.
Quite a lot of missions are preceded by a 5+ minute horse ride to the destination while the player follows some NPC. This would be all well and good, but many of these don’t include a checkpoint right afterwards. Nothing is more frustrating than being unable to skip a replay of a bunch of dialog because it isn’t technically a cutscene.
There’s a cover system, but it’s quite frankly not any more advanced than that seen in Gears of War more than a decade ago. You hit a button, hard lock to the nearest thing, have really bad mechanics to unlock from cover, and pretty rough mechanics to transition around or between different covers. Does it work? Sure. Is it good? Not really.
Those are just a few examples, but what it really comes down to is that it feels like realism or feature count constantly won out over fun. Do I get why they stuck to that as a principal of the development of the game? Sure. Does it make the gameplay worse for it? Absolutely.
You end up spending a LOT of time riding back and forth on horseback. Luckily it looks pretty damn good, even with rough spots.
The horse is also entirely frustrating, especially when compared against the horse mechanics introduced by Assassin’s Creed Origins and Odyssey. RDR2 has the autopilot horse that AC does, but requires being in the cinematic camera, meaning it can’t be used for combat. Anything other than a gallop also requires the player to rhythmically tap X in sync with the horse’s gait which becomes entirely entertaining the first time you have to ride ten minutes across the map, let alone 40 hours later when you’re still tap tap tapping away to move fast. Of course, this isn’t necessary if you’re following alongside an NPC. At that point you can just hold X to match their speed. Unfortunately, it doesn’t necessarily cleanly match their turning, so you can get way off course if you aren’t actively turning the horse anyway. What this all comes down to is that combat on a horse is needlessly shit, and you spend a lot of time getting into combat on your horse.
You’ve got four entirely different sets of things you want to be doing on a horse – shoulder buttons for weapon firing input, face buttons for speed input, left stick for horse turning, and right stick for camera aiming. Right off the bat, speed vs camera aim are in a fight for a thumb. In a lot of situations, the people you are fighting are chasing you, so you’re trying to steer backwards while also not being able to see where you’re going. It’s all just a bunch of inputs fighting against each other in a way that Ubisoft already solved. The entire setup would be significantly better if you could just lock onto the nearest road at a fast gallop and completely remove the need to steer or manage speed, allowing the combat to shine and the player to focus their energy on taking out enemies. It would also have allowed for much more dynamic combat where enemies are coming from multiple directions since the player wouldn’t be having to manage so many disparate input needs.
It’s even more frustrating because they accidentally have sequences that allow this. There’s enough situations where you’re either the second person on a horse, or in the back of a horse drawn cart where you literally are a road-locked turret, and those all work fantastically better as combat situations than general minute to minute horse riding combat. Between these sequences and Ubisoft’s AC horse, I’m baffled that nobody noticed that there were already solutions that are simply more viable for smooth gameplay.
Some of the best sequences were stealth sequences and I wish they’d leaned more into using them over large scale combat, even if the stereotype of the wild west is large gun fights.
For what it’s worth, it also doesn’t help that the gunplay is down right average in RDR2. There’s a pretty decent range of weapons between multiple types of pistols, revolvers, rifles, and bows. However, they didn’t really separate themselves enough for me to care to use a specific weapon in most situations, unless I wanted the bow for stealth or a sniper weapon for longe range firing. In the most combat, the range of the weapon didn’t matter as I could lock fire snipe just as well with a revolver or rifle simply due to how bad the input setup worked.
Hip firing is effectively useless in RDR2. The game’s general gamepad input is pretty miserably bad. Target adhesion for right analog input is pretty rough, there’s not much in the way of useful magnetism to hone you in on a target close to the reticle, and I didn’t really get much out of turn sensitivity options. What they do have in place of good camera movement is an entirely exploitable hard lock system. Hitting the lock on button anywhere even close in screen space to a target will hard lock you to the target’s center. A simple stick flick upwards will pretty much guarantee a shot on the target’s head or neck area. I’d estimate that I could headshot about a 75% effective rate just doing this alone. The AI playing a lot of sit in a spot and peak out every now and then doesn’t make it any better.
Quite frankly, it trivializes combat in a way that makes the game far worse. The most tense situations end up being ones where the game simply has to throw targets at you because it’s easy to one-shot guys, and their AI isn’t trying to do anything other than move forward from cover to cover towards you. However, you can pick off entire crews of enemies in a matter of seconds because of how easy it is to exploit the targeting system. While I did occasionally die in some of these setups, it never really felt challenging, and death felt more happenstance based on me not paying attention to my health and getting to cover.
Regardless of all my complaints, this is still a damn fun game – entirely because it’s rescued by a story that’s as good as you’ll ever see in games.
I realize that that reads like a lot of complaining, and to some extent it is. However, for me it’s more frustration that a company can spend the amount of time and money it takes to make a game of absolutely mind blowing scope like RDR2, but still come up with something that has gameplay that feels entirely average. There’s a whole lot here that technically works, but spending more time on gameplay polish instead of time on feature creep (do the horses really need to periodically shit everywhere for realism?) could have left us with a game where the gameplay matched the fantastic story and visuals, rather than feeling like an afterthought.
All that aside, is this worth playing anyway? 100%. The story is going to be one of the best wild-west stories that we likely see for a long time in games, and I think it’s worth physically being in the game playing over watching the story on Youtube. Visually I was also constantly floored with each new vista I came up to, or each time I entered the largest city of Saint Denis at night. Those things being so good are what makes it incredibly frustrating that the gameplay simply doesn’t match it. This game is definitely a case where the sheer amount of money spent on it is obvious and raises the game up to something really damn good despite it having a ton of flaws, and for that alone I think it’s worth the spin.
