Category: Adventure

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Game Ramblings #156 – Pokemon Legends: Arceus

More Info from Nintendo

  • Genre: Adventure / JRPG
  • Platform: Switch

Look, this is a rough game. It’s hideously ugly. It still for some reason has Pokemon boxes without auto sorting. Balance is often entirely vague even with Pokemon 10+ levels apart. However, I can’t stop playing it. The core gameplay loop is so fundamentally changed but it works far better than I expected it to and in doing so represents a path forward for the series that I couldn’t have expected when Diamond/Pearl came out 3 months ago.

This game got ruthlessly shit on from the trailers, and frankly it isn’t entirely undeserved. This game is ugly more often than not. The Pokemon models are fine, and at least generally consistent. However, their art style doesn’t really match the world’s art style, and the world is atrocious. However, it doesn’t feel like laziness to me – it feels like a failing of technology. This is pretty clearly using some variant of the Sword/Shield engine stretched beyond its limits. The unfortunate thing as a developer, especially on an experimental title like this, is sometimes you just shoot yourself in the ass and this is one of those times. You get to a point where you can either delay a game by years and restart the core tech or just ship it with what you’ve got and move onto the next thing instead of cancelling a title. It’s time for this series to either move onto Nintendo’s own in-house engines or move to something stock, because it’s clear that Game Freak would be better served focusing on the games, rather than the engine.

However, once you get past that the game is a lot of fun, and it comes down to the core loop just really working. Rather than being gym-focused, the entire focus of the core game loop is research. You’re basically going out into the field, catching as much stuff as you can, and returning. That is the core of building the Pokedex here. The relatively non-linear nature of it means you can kind of wander off wherever you want, whether to focus on new areas or completing the entry of a specific Pokemon. The ability to fast travel back and forth to town means your play sessions are basically as long as you want them to be. The ability to craft (!!!!!!) Pokeballs, potions, etc means that as long as you’re collecting resources, you aren’t having to go shopping. If you run out, you just bring up the crafting menu and seamlessly keep your stock together.

It’s the type of loop that just works on the Switch in the same way that Breath of the Wild did. Your play sessions are as long as you want them to be and it doesn’t matter whether you’re doing a 30 minute or 3 hour block. In both cases you’re making appreciable progress that you can drop back into at any time. It’s a loop that just keeps you engaged and playing in an unexpected way.

Even within that loop, the changes work well though. The simple act of being able to catch a Pokemon without starting a battle while still earning XP for it is tremendous. It so completely speeds up the act of traversal that it allows the new gameplay push to just catch EVERYTHING to work. In the old style, the game would otherwise be a slog.

Even if it’s ugly, the environment being so open is also a huge change. Its openness isn’t quite BotW, but it’s also more than Sw/Sh wild areas were. From a gameplay perspective it’s a huge success. Different areas are visually distinct in a way that’s interesting on its own, but also allows for obvious placement of different types of Pokemon in a natural way. Bugs like Combee or Weedle live in the forest, which makes sense. Things like Spheal or Octillery can be found hanging out on the beach. Your Abomasnows are up in the mountain tops and your Magmars are by the volcano. It’s both obvious AND enjoyable. It’s not that they didn’t try to do this before, but it feels even further down the line of making the Pokemon world more natural than it even previously has been.

It’s also a nice change that the player is FINALLY ACTUALLY IN DANGER. You get attacked by Pokemon in the wild. You have boss fights where you as the player are physically attacking Pokemon and they’re spectacularly fun. It’s one of those things that for the past 25 years everyone has been going “well, why is the player immune?” and it finally happened.

That said, despite the big change to the core gameplay there’s a lot of rough edges here. I complained about it during Sword/Shield but the existence of boxes, let alone no way to auto sort them is still baffling. Even more so when your Pokemon are literally being sent back to an open pasture to live their best lives. A lot of the side content is fine in its existence and kind of attempts to drive completion of the Pokedex, but there’s very little variety or necessity to it. The combat that is there is fine, but I’d like to see the new core loop adapted to a game with a more traditional level of trainer battles.

Frankly, balance is also incredibly vague. One of the core changes is that all battles are now speed-based. Speed can mean that Pokemon go first, but also that they can go multiple times in a row. That alone can easily result in your Pokemon often getting one-shot before taking a turn, even when they aren’t at a type disadvantage. Pokemon 15+ levels below your active one can still do significant damage as well, so I spent a lot of time outside of battle healing or going back to camp to rest against things that really shouldn’t have been a danger. It feels like it was tuned to be difficult, but it instead comes across as odd, because type advantage is still the king and the changes made just make the exploration slower, rather than making the individual trainer battles more difficult.

If this represents a new path forward for the series then all the rough edges don’t really matter. It has its problems, but this pushes a new gameplay archetype for the series that just works. It’s familiar enough, but far more active and far more fun than the JRPG slog that the series has really become known for. If it’s instead just a sidetrack between entries, then hopefully it’s at least a lesson to them that it’s time to take a serious look at their tech stack moving forward. However, after how much I’ve been enjoying this one, I think it’d be a huge loss if this doesn’t represent the direction the series will be sticking to going forward.

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Game Ramblings #155 – Guardians of the Galaxy

More Info from Square-Enix

  • Genre: Action/Adventure
  • Platform: PS5
  • Also Available On: Windows, Switch, PS4, Xbox One, Xbox Series

This is a AAA B-Movie in the best way possible. It’s doesn’t necessarily have the best combat or the best story or the best pacing but as a sum of parts it’s fantastic. It was hard to go through most of this game without a stupid grin on your face. It’s a lot like the movies in that respect.

This one as a whole turned out much better than The Avengers did. A lot of that came down to its focus as a purely single player narrative experience. It wasn’t hobbled by the needs of being a live-service title – the need to XP grind to keep players in the game, the need to patch in new content to keep players returning, etc – so it ended up being relatively focused. You’ve got a 15-20 hour long narrative mostly consisting of set-piece combat with relatively predictable outcomes but a ton of spectacle. What it does gain from its length over the movies is better pacing. There’s a kind of on/off rhythm to the chapters. You’ll go through a long stretch of just combat, then a long stretch of general exploration / puzzle solving. It keeps the game from becoming too stuck in a single rhythm, which helps to break up the game into much more enjoyable chunks When the combat does kick in though, it’s a lot of fun.

This game really threads a good line where you feel powerful because of indirect things happening, but still feel like you aren’t just being led by an AI that can’t lose. There’s a few systems to that. One is that you’ve got absolute control over the timing of special abilities for the other team members. They kind of passively attack and are effective at clearing lesser enemies, but if you want big damage it’s up to you. You can definitely win without using these specials, but it becomes quickly obvious that all you’re doing is making your own life slower and more difficult.

Another is that you’re the only party member that can quickly break shields. Having shields tuned to specific elements that Peter can fire allows for the player to do non-damaging stuff that is vitally important while letting the rest of the team to take out unshielded, less dangerous enemies. This has the important side effect of reducing the time just needlessly fighting easy trash. The element system also has some nice crowd control effects. Ice can freeze enemies in place. Electric can hop between enemies and stun. Wind pulls enemies to Peter. Fire can add DoT damage. All of them allow for increased damage if the enemy is under the effects. They’re not necessarily large changes to just general weapon fire, but they serve well to give better situational handling to the arenas if you’re getting overran by too many enemies.

The final one that really stood out is combo attacks. For the most part, melee is generally the more dangerous route. However, because your AI teammates are mostly melee, there’s often opportunities to go in and help them out. Comboing with your teammates can get a bunch of big damage out quick, as well as increasing the likelihood of stunning an enemy, giving a better opportunity for some easy gun-based damage.

The pacing is also actively broken up in other ways. There’s sections like above that take place in actual space combat. It’s a very Star Fox type setup, with both on-rails and free fly sections but keeps the elevated combat pacing in another fun context. There’s sliding sections where the player is going downhill avoiding obstacles and jumping over gaps, giving a fun third-person auto runner type feel. There’s a handful of sections that do camera chases with a feel more reminiscent of the chase sections of the PS1 Crash Bandicoot games. These fall into the sort of on/off action pacing of the overall game, but because they aren’t just more combat for the sake of more they serve well to keep the entire game fresh as you go through it.

The rest of the game that surrounds the combat is just really well realized. The worlds are large and filled with bright colors. Everything has that kind of technically plausible but incredibly alien feel to it. Places like Knowhere feel like large space ports where you can run around buying all sorts of cool outer space shit, even if it mostly serves as a way to shuttle you to important story beats. The enemy designs again are close, but slightly twisted. Things like walking squids or cube-shaped jelly creatures bring the sea to land. Things like giant space dragons pull in a bit of fantasy elements. There’s the little callbacks to the story out of the comics with mentions of people like Thanos or Yondu, even if they aren’t directly in the game. It’s all just a love letter to the ridiculousness of this series, and it works well.

This game really just falls into a place where it should be played simply because it’s fun. Games like Hot Wheels Unleashed or Ratchet and Clank: Rift Apart or Cadence of Hyrule come to mind in recent times that kind of fall into that area. They aren’t necessarily the best written or the best gameplay or the best visuals, but put together you just can’t help but enjoy your time with it. Guardians is definitely that. It’s got good enough combat, good enough visuals, good enough of a story. Put together you just smile the entire time, and you can’t ask for more than that out of a game.

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Game Ramblings #154 – Kena: Bridge of Spirits

More Info from Ember Lab

  • Genre: Action/Adventure
  • Platform: PS5
  • Also Available On: PS4, Windows

In general I don’t really like Souls-like games, but I keep dipping my toes into ones that try a little something different. Jedi: Fallen Order managed to keep the combat approachable enough through the use of hand waivey dodge mechanics made possible by Force powers existing. Games like Ghost of Tsushima were generally more fast action-oriented, leaving the Souls style one-on-one mechanics for well tuned individual fights with an engaging open world. Kena definitely ends up leaning more towards straight Souls combat, but with a few tweaks, some that work well and some that really don’t. By the end it was a bit grating to me, but it definitely was another that pushed me further into the subgenre.

This is very much a Souls game in general combat. It’s heavily tuned into proper timing of dodges or parries. However, it also has a very effective shield, and that was the thing that really felt the best to me in terms of Kena feeling tuned to be less dramatically unforgiving. It’s sitting on the same button as parry, so rather than parry being a direct action it feels more like a well-timed shield deflection in practice. Being able to avoid damage because you are too early and going right into a shield is a huge benefit to difficulty. It lets you deflect a few hits while you get your timing down, then letting you parry your way through the rest of the fight. That reduction in learning through dying is such a better experience than a lot of Souls-likes, and it’s due to a relatively small change.

The game also fed me a useful bow and arrow, which is always going to be a positive in my book. A lot of the later fights started really being mechanically dense in a way that I didn’t want to be in melee range, so I’d stick back, get damage with arrows until a parry opportunity came up. At that point I could lay in some big damage and get the hell out of the way.

However, the game’s boss fights really ran out of steam in a hugely negative way. By about the end of the second act, it was clear that the game was mechanically done growing. At that point the boss fights just started throwing arbitrary things at you to distract you. Endless adds, off-screen projectiles, radial explosions. The fights just kind of become annoying, rather than challenging. I liked the fights when they were challenging because I had to properly time things. Once I was getting hit by attacks I didn’t see because my view was constantly being pulled all over the place I no longer wanted to deal with the bosses. At that point I lowered the difficulty to easy and powered through the rest of the game.

By that point, the studio’s lack of experience started to show in some of the overall combat polish as well. A lot of the arenas were just dark. Dark bosses against dark backgrounds with very little in the way of highlighting. It made fights unnecessarily difficult just because of lack of vision. Some of the tells were also just kind of odd to me. A lot of them would start with some big tell then have a large unnecessary pause followed by a wildly fast dash. It didn’t feel smooth and it didn’t feel consistent. The difference between tells for weapon throws vs tells for dash/melee was also pretty arbitrary, which reduced the ability to effectively pick parry or dodge as your defensive attempt. On individual fights you would eventually learn the specifics, but I started just getting to the point where I would see some of the tells starting and immediately just hold shield to learn. It felt kind of sloppy.

Ultimately though, a decent difficulty slider allowed me to push through the rest of the game. I was enjoying the overall story and exploration a lot, so I wanted to keep playing, even with my frustration around the boss fights. It was always interesting to go see little hints in the environment and go off to find new things. It might be a hat for your little helper creatures, it might just be some currency, it might be a little side quest type of thing, but in all cases it was a good change of pace and something that felt worthwhile to pursue. That ability to dump the difficulty down to get through the parts I wasn’t enjoying to let me get through the parts that I was enjoying was hugely welcomed. It may just be numbers in the backend, and a lot of people may not want to see it in a Souls-like, but I will always support studios that get that type of stuff in there.

I’m probably not a good person to go in recommending Souls-like games, but in this case I’m pretty comfortable recommending this one. It’s got some rough edges, but combat is fun enough, the exploration was super enjoyable, and it’s a downright gorgeous game. It’s backed by a story that I wanted to see through to the end. Ya, I cranked it down to easy to power through for the things I wanted, but I got through it nonetheless, and for a Souls-like, that’s pretty rare.