Tag: PC

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Game Ramblings #112 – SnowRunner

More Info from Saber Interactive

  • Genre: Simulation
  • Platform: PC
  • Also Available On: Xbox One, PS4

This is sort of a ramblings in-progress, but in general it felt like a good point to do this. This is a lot like Forza Horizon, not so much in game style, but in the fact that it feels like the kind of game I’m going to repeatedly pick up to fill gaps here and there. There’s a lot of stuff to do in the game, and it always felt fresh doing a new task. It was never really that the tasks were new, or necessarily in areas I hadn’t seen. However, I was getting a constant drip feed of upgrades, new vehicles, and more that always opened up new ways to achieve things. Despite some pretty rough UI/UX spots, this is still one of the bigger surprises of the year.

This is basically a Euro Truck-style simulation, but it’s so much more than that. It’s a challenging and detailed experience that doesn’t leave you room to be lazy. Stop paying attention going downhill with a truck load? You’re probably gonna end up going to fast and running off the road. Being too aggressive with turning while climbing a hill? Be prepared to roll over. However, it absolutely breeds a certain type of patience in how it forces you to treat the driving experience, and it’s that patience that really drives the gameplay forward. You’ll screw things up in ways that in hindsight are blindingly obvious, add that to your mental checklist, and now be a much better driver for it.

It’s extremely gratifying hitting your end goal, whether it’s finding that perfect view on top of a peak while scouting out a new area or after convincing a huge trailer of goods to make it through a snowy pass or meticulously pulling a truck that’s stuck in the middle of a mud pit. All of these actions require some amount of careful planning, as well as a nice amount of skill on execution. You’re always going to want to bring the right truck (Need to pull a trailer? Bring something with power!), the right upgrades (Lifting crates out of a river? Bring a crane!), or even the right route to your goal (Doing a long drive? Plan a route with gas stations along the way!) The combination of planning and skill is at a point that feels rare, even in the simulation space.

The variety at play here is also a lot of fun. There’s a ton of different sizes of trucks that are better or worse at different things. If you want to go and see a new area, take a small SUV like the International Scout. If you’re looking to pull a bunch of goods, you’ve got all scales of different trucks to choose from depending on whether you want speed or brute strength. If you’re really looking to get through some bogged down muddy areas, go straight at something like a Caterpillar even if it means taking it really slow. That variety also works out well in the environment. You start out in Michigan, full of mud and water. You end up moving to Alaska and Russia where deep snow banks and icy roads become the king.

All of this is wrapped into a core loop that encourages you to kind of do what you want. There’s a number of spots in each area that require you to do repairs to improve your overall driving flow. This runs the gamut from taking care of downed power lines and rock slides to building new bridges to provide ways across rivers and canyons. Feel like just going out and exploring a bit? There’s some tasks to send you off on big exploration climbs in the woods. There’s also vehicles and upgrades to find scattered all over, improving your overall capabilities. Feel like just making some money? There’s all sorts of delivery tasks to do to just get yourself some hard funds. Each piece of this provides something directly beneficial to you, so even if you’re just screwing around, you aren’t wasting time.

However, like a lot of simulation games this one definitely has its pretty rough edges in the UI/UX space.

One of the first oddities that will hit you is in how they offer up tasks and missions. There’s a big ol list of them in your pause menu, and you can see the exact specific things that need to be done. However, you have to go to some specific spot to start the task, THEN you can deliver things. In cases where this is just deliverable products? Who cares, bring them on your way to the task, accept it, and immediately deliver it. But for tasks that require you to deliver some specific piece of equipment? Sorry, you can’t grab that until you accept the task. However, some of the tasks are gated behind progress anyway. It feels like once a task is unlocked, you should be able to just do the damn thing instead of having to drive around to hit yes on starting it.

There’s similar oddities in the general placement of things. Of the zones I played, there were two things that I really noticed – the garages where you go to upgrade and purchase vehicles are basically in a corner of the zone and gas stations tend to not be equally distributed. These two things aren’t really deal breakers, but it results in awkward flow issues. There’s sections of the game where you’ve got reliable access to fuel or easy access to the garage to modify your configuration. However, there’s as many times where you’re driving 15-20 minutes, realize you need to make a change to your vehicle and have to redo the entire trek again. Even worse is times when you simply are out of gas at the end of a multi-part task because you were on the one side of the zone with no gas stations. It may be a very “gamey” type thing, but centralizing the garage and making sure that gas stations are at least distributed better would go a long way to improving the overall flow of just being out and about completing things. Ultimately these things are easy to solve thanks to the fast travel button to take you back to your garage, so it feels weird that there’s a layer of friction in place to begin with.

At the end of all this though, this is a surprise hit. It’s a surprise hit in much the way that Euro Truck Simulator was a surprise hit to me. It’s something that should be a wildly niche product, and while it’s crafted with love it has a lot of rough edges from being in that sort of AA quality space. However despite it all I just couldn’t put it down for days. I would constantly be finding that new upgrade or grinding out a bit of money to pay for that new truck or taking my SUV out and climbing just one more peak, and loving the experience the entire way. It’s just one of those games that I can’t really explain why I enjoyed it so much, but can just recommend, and I’ll continue to look forward to jumping in to fill some time, even if for just one more delivery.

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Game Ramblings #56 – A Hat in Time

More info from Gears for Breakfast

  • Genre: Platformer
  • Platform: PC
  • Also Available On: MacOS, PS4, Xbox One

TL;DR

  • Great riff on the Super Mario Sunshine game loop with some clever mechanics to avoid feeling too samey
  • Solid core platforming mechanics held back a bit by some auto activated actions

Back in the Yooka-Laylee write up I wrote “I’ve seen a lot of people saying that this game proves that 3D platformers are dead, but I’m not convinced.”  A Hat in Time is proof of that.  While it’s far from a perfect game, it picked a great game to start with and moved in its own direction to give us a classically-inspired platformer that doesn’t fall prey to the nostalgia trap that others have.

The nods at Mario games aren’t hidden, even down to the last dungeon being a take on Bowser’s Castle.

It’s obvious right from the start that the team behind the game loved Super Mario Sunshine.  The core game loop is 100% there.  Each world has some common theme with a bunch of different missions, replacing shine collection with a time piece.  After finishing a bunch of the individual segments, you get a spectacular boss fight, then on to the next world.  Secret levels are scattered throughout to test your platforming skills and give more time pieces as you earn different abilities.  Rather than FLUDD, you get a bunch of hats and badges as helpers, but the helper effect in puzzle solving and combat is similar.  It’d be easy knock the game for being so close, but once you get past the basics the game starts bringing in some unique pieces to make the game feel unique on its own.

Each world has its own theme, whether it be the mafia-filled restaurant island or a haunted forest where you lose your soul.  More importantly though, each world plays different.  As an example, one world involves the travels through an active movie studio.  Rather than going with the open level pattern that Sunshine uses, you instead go through parallel movie sets actively helping in film some movies.  Another instance has a true open-world taking place in a set of sky islands, where you never drop out of the world after collecting a time piece.  In doing this, the gameplay feels familiar, but the actual pace of world completion changes enough to feel fresh throughout.

Boss fights are always colorful, always entertaining, and as usual a music theme only helps.

The breadth of powers available in hats and badges also opens up the gameplay a lot more than the Mario source.  In the badge department, some of these purely exist as helpers, whether it’s a collection magnet or a radar to find treasures in the world.  Some of them add practical moves, like a hookshot or the ability to quick-charge hat powers.  Still others are just there for fun, like the one that replaces voiceovers with mumbling.  Hats are more direct in their use, allowing for things like slowing time or creating platforms out of specially marked areas.  The important thing is that you’re limited in what can be equipped at a time to one hat and eventually up to three badges.  This lends an important strategic element as swapping out your gear in the middle of a fight can be a big hazard, so the planning element of figuring out what gear you want can be the difference between life and death.

That’s not to say that this game entirely avoided all the common pitfalls of 3D platformers.  When the camera is free to move, there’s still a lot of areas where the camera either gets in your way, or the need to move it causes havoc in tight platforming areas.  There’s also a number of auto-activated moves that like to cause chaos.  The wall run in particular had a habit of activating when I was just trying to platform near a wall, often causing me to catch over a gap and fall to my death.  Generally speaking though things worked as well as I expect out of the genre, and problems I had were minimal enough to not cause me to want to shelve the game out of lack of patience.

There’s also a bunch of secret levels which unsurprisingly take the form of similar levels out of Sunshine.

If there’s anything I’d really say here as a wrap up note, it’s that nostalgia-based platformers probably want to be careful of where they pull their source.  Yooka-Laylee took inspiration from slower Banjo-Kazooie collectathons and joke-focused writing, much to its detriment.  In going with something like Super Mario Sunshine, A Hat in Time was able to take a game loop that is much more immediately satisfying to the user, and write a light, but still solid story that didn’t need to lean on in-jokes to try to get laughs out of the audience.  By then adding its own spins to both the move set and world flow, it was able to do something unique to itself to avoid feeling like a carbon copy of the original.  With Super Mario Odyssey just a few days away, I’m pretty confident that we’ve yet to see the end of this genre.

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Shelved It #7 – Hollow Knight

More Info from Team Cherry

  • Genre: Metroidvania
  • Platform: PC
  • Also Available On: Mac, Linux, Switch

TL;DR

  • Solid mechanics, solid visuals, solid audio all put together a great base that can be built on.
  • Small bits of lack of polish, rather than anything egregious led to frustration, and eventual shelving.

This is going to sound weird for a game I’m shelving, but Hollow Knight is really quite good.  It’s a pretty traditional Metroidvania in layout, using a solid short-range melee system and some occasional powerups to round out the move set.  This is complemented by a solid visual style, and great audio and soundtrack to put together one of the best themed titles in this genre I’ve recently played.  However, this was a case of a thousand cuts, where small lack of polish in the details led to a continuous pattern of one step forward, one step backward in my progress.  This was combined with a somewhat questionable use of the Souls death mechanic, to where body runs began to feel like a slog, rather than a good balance of penalty and learning reward.  In the end, the good couldn’t outweigh the bad for me to continue on.

Early example of some of the fantastic visuals you’d see in this game.

However, let’s start with the good.  As with a lot of recent Metroidvania games, particularly in the indie scene, this one is a fantastic looker of a game.  Like the recent remake of Wonder Boy 3, or other Metroidvania titles like Ori and the Blind Forest, this one has a fantastic visual style.  Everything has a great hand-drawn appearance, with thick painterly lines.  It’s a fairly distinct style, and works rather well.  This is combined with great use of dynamic lighting to give some dramatic areas.  The biggest problem with it all is that most of the areas share a similar color range, so things can begin to look rather samey as you continue on.  On the other hand, it never got old running through the environment and having all the little blades of grass in the scene explode into similarly styled particles as I swung through them.  As a whole, this was a part of the game that never really diminished in my time playing it.

The core combat is also really well put together.  The base of the combat are melee strikes, which sounds simple at its core.  However, there was a smart choice made specifically in the horizontal strike, giving some verticality outside of the swing’s hitbox, and allowing players to hit things both slightly above and slightly below without having to be super precise with jump heights. This was extremely nice for how small some of the hitboxes on armored bosses and enemies could be.  This was backed up by a strong set of spells and abilities that are earned throughout the game to fill out the move set.  Examples here include mid-air dashes and double jumps for traversal, or energy missiles and dive bomb spells for damage.  Generally speaking, the game gives you a bunch of tools to use, and its up to you to then figure out what is most effective for each situation.

However, as I continued on, the little details that didn’t quite have the polish of the visuals and core combat started giving way to more frustration than fun.

The first big place this showed for me was in their use of the Dark Souls death mechanic.  The basic system is that at death, your soul gets stuck in the world along side all currency you earned during that life.  If you get back to the soul and defeat it in combat, you earn all the currency back.  If you die before that, you permanently lose all of it.

Generally speaking, I’m pretty neutral on this system.  There’s a fine line where this system works well, and to me it requires enough save points in place that are both close enough together, as well as close enough to where players will die so that the game doesn’t heavily discourage exploration, and keeps game pace post-death high.  To me it feels like Hollow Knight fails on both of these counts.  Many areas had a bunch of save points clustered near the center of the zones, but fewer out towards the edges where a lot of boss battles or more dangerous sort of side dungeons were.  There were also hardly ever any save points actually immediately before or immediately after boss rooms, so deaths during bosses (which are extremely common) often resulted in a long run back to the boss.  It just felt like a lot of wasted time, rather than a good chance to learn and retry the boss quickly.  This was compounded by a number of times where my soul spawned out of reach, effectively ending my change to re-earn my lost currency, so I eventually just stopped exploring altogether, choosing to go the lower risk way of sticking to main paths and simply grinding out kills if I required more money or power for skills.

There were a bunch of other little details that also compounded on top of this core problem for me.  First and foremost, jumping feels awkward.  This is a game with purely digital left/right movement, and no in-air momentum.  If you’re jumping and let go of the stick, you fall straight down.  It just feels weird, and eliminates a lot of subtle movement flow that a lot of better examples of the genre have.  There’s also a really obnoxious backwards impulse after hitting an enemy.  This is combined with somewhat imprecise collision on platforms to put me in situations where trying to jump and hit enemies mid-air around small platforms was pretty much a death sentence if solid ground wasn’t below me.

The final sort of annoyance was in the mapping system mechanics.  Rather than mapping out rooms when you walk through them, you had to clear a couple of hurdles first to map out a zone.  First and foremost, you had to buy a map of the zone from a vendor within the zone, generally well within the zone and out of the way (see annoyance with losing currency when your body run fails due to spawning out of reach….).  This only opened the ability to map the area.  It then didn’t mark areas on your map until the next time you reached a save area (see annoyance with the location and frequency of save poiints….).  Otherwise you were basically flying blind, and have to remember your path through areas until you hit both points above.  Generally speaking, it just felt like an additional unnecessary money and time pit, where I’d rather be spending my currency on functional upgrades.

End of the day, the further I went into Hollow Knight, the more the small details outweighed the good of the core systems.  Could I have grinded through it without too much trouble? Sure.  Are the problems going to be something that bothers everyone? Nope.  However, I’ve got plenty of other games to play, and seeing lack of polish in the details just generally distracts the hell out of me.  However, for those with more patience than me can probably find a lot to love here, so if nothing else, I’d recommend taking a look the next time a Steam sale rolls on through.