Game Ramblings #58 – Assassin’s Creed Origins

More Info from Ubisoft

  • Genre: Action/Adventure
  • Platform: PS4
  • Also Available On: Windows, Xbox One

TL;DR

  • Combat’s is serviceable.  Best part of actual combat is in the capabilities around stealth and distraction-based kills
  • Fantastically gorgeous imagining of what ancient Egypt may have looked like
  • Story serves as an interesting starting point to the lore for the overall story, without the usual distractions of the assassin vs. templar nonsense

So after a year off, I suppose the question became Is this game actually good?  In general, the answer to that is a pretty resounding yes.  However, I also enjoyed Unity and Syndicate a lot, despite them being an obvious step back from Black Flag.  What this one has managed to do is smooth out a lot of the core mechanics in the previous titles, while also shedding a lot of the collection madness that plagues later entries.

The visuals of the game are an obvious starting point. They’re pretty universally fantastic.

I’ll start with the obvious one and keep this quick, this game is up there on the list of best looking games ever.  A lot of this feels like the culmination of a lot of past games.  The water from Black Flag is used here a lot, whether it’s in sailing down the Nile or puttering around the edge of the Mediterranean.  When sandstorm are rolling in they look imposing; when you’re stuck in a sandstorm it’s threatening.  Humans during cutscenes are significantly less derpy than in the past, and now actually do a good job of getting the emotion of the scenes out there, even if hair is still a bit of a struggle.  Even moving into the non-desert areas in the northwest, the plains full of grass and flowers swaying in the breeze are a sight to see.

However, that’s not important in the grand scheme of things.  Let’s get into gameplay.

Climbing and exploring is still a huge part of the game, and pyramids everywhere give you lots of opportunity.

I suspect most people would talk combat, but to me the core of the Assassin’s Creed games that I enjoyed was the exploration and stealth, and that’s still a great thing here elevated to even greater heights thanks to the landmarks you get to climb.

The synchronize points were always a fun distraction in past AC games.  However, it’s another entire level when the point is at the top of the Great Pyramid of Giza or at the top of the Pharos of Alexandria.  These areas have some of the better pure climbing in the game, and the views from up top are always spectacular.  Even better is the fact that any of the historical landmarks you go up to generally have some sort of puzzle-based temple in them.  While these are generally quick hitters, some of them get into some pretty neat use of weight-based physics segments to make sure that crashing a temple isn’t just about climbing in a straight line.

Getting around is easy thanks to autopilot camels.

Exploration is aided by the fact that moving around in the environment just doing random things is generally just really easy and a lot of fun to do.  Origins has had a severe reduction in pure STUFF to do.  Ya there’s still sync points, there’s still side quests, but there’s no longer fluff things in the map like paintings or unguarded treasures.  What this has been replaced by are small areas such as forts, trading posts, abandoned temples, etc that may contain things to collect.  Ultimately this ends up resulting in a lot of time in-stealth either shanking or avoiding enemies, but at least providing some amount of gameplay beyond just walking up to a thousand icons on the map.

The best part of all of this though the process of moving around the world.  At the end of the day, the game feels a lot like Black Flag despite the lack of pirates and sailing, and it comes down to how you travel.  The lack of a distinct singular large city opens up the map.  Sure, you have larger areas like Alexandria or Memphis, but the bulk of the map is small villages with a few shops and people, similar to the smaller forts and villages in Black Flag that were found just in sailing around the Caribbean.

The horses and camels basically become your sailing replacement.  Sure you can move around manually, but the best thing to do is set autopilot and let the horse do its thing.  This combines with the ability to swap to the main character’s eagle, allowing you to scan for resources, look out for enemies, or search for objectives all while your horse heads towards where you want.  It takes a lot of the tedium out of travelling, allowing you to focus on other things as you go.

I can’t avoid the topic of fire. It’s everywhere and always great.

I guess that leaves us at combat.  In a lot of ways it’s definitely the weakest part of the game, but not necessarily because it’s bad.  In general it’s just kind of simple, and feels like the backup for when things don’t go as you want.  There’s both bow & arrow and melee weapons in place.  When going into melee, you can do a shield bash as a parry or a dodge maneuver, both of which can be timed against solid and obvious tells in the enemy actions.  However, that’s about it.  Ya there’s some subtleties in the usage of the attacks, but it’s basically details at that point.  The real strength of the combat systems is when you avoid it entirely.

Pure stealth is still the ideal way to go about the game.  You’ve got your straight stealth kills, which is still an effective way to deal with baddies.  There’s also a number of tools in place to cause havoc.  A couple of the highlights are the ability to set poison traps on dead bodies or the ability to enrage enemies resulting in them attacking each other.  There’s also the little use of fire.  You can have swords with fire, bows with fire, set horses on fire, shoot pots that explode into fire.  Basically, when things go on fire it usually results in hilarious things, even if it’s a bit dangerous to be around.

So is this a big redeeming game that was worth Ubisoft skipping a year for? I dunno.  It feels like a natural extension of Black Flag, and not something that they spent an extra year doing something groundbreaking.  However, it’s still a pretty solid game.  If you enjoyed Black Flag but were pretty cold on the games since, this is a pretty solid spot to jump back into the story.

Game Ramblings #9 – Assassin’s Creed Chronicles: China

More Info from Ubisoft

  • Genre: Stealth Action
  • Platform: PS4
  • Also Available On: Xbox One, PC (Uplay)

This is going to seem like a fairly negative review, but for me it’s with good reason.  Assassin’s Creed Chronicles has a lot of the makings of a great 2D stealth action game, and even more so, has a lot of the great makings of a game that fans of Metroidvania style games would enjoy.  Environmental traversal feels great, stealth kills feel great, combat feels great.  In particular, the combat allows for really smooth transitions between defensive and offensive maneuvers to allow for rapid kills that nearly feel rhythmic in their execution.  Visually, the game also is fantastic, with each of the Chronicles trilogy having their own unique visual style.  That said, I never got that far into the pack, and for me it was the feeling that the game was getting in my way that caused me to stop playing.

One of the core parts of the China episode is that the player gets scored based on their actions within segments of the level, then at the end of the level they can gain upgrades, whether that be health bars, ammo pack upgrades, etc.  However, the way the scoring was done actively forced me into a specific play style to maximize the score I was getting, and killed my reasons for pushing forward.

The maximum score for segments of the levels can be achieved in one way; never being seen, never killing anyone, and never setting off any traps around the level.  What this meant for me is that I could never use the fantastic combat system that they had implemented, I could never even stealth kill enemies even if they never saw me, and any progress through levels became a slow series of waiting in a hiding spot until the perfect opportunity arrived to move forward without being caught.

While I am all for having a full stealth option, at the end of the day the things that have always been the most fun for me in the Assassin’s series are being able to do stupid things like jumping off a roof to assassinate unsuspecting enemies, then sending throwing knives into the people responding.  The China Chronicles episode actively worked against doing anything resembling that style of gameplay.  For players that enjoy full on combat, it’s even worse as combat is by far the lowest scoring option of the three.

At the end of the day, the China Chronicles game is a game that is frustratingly close to being great.  Given the chance, equal scoring for the three paths would have at minimum allowed me to play as I want, and probably have resulted in me playing through all three of the trilogy, rather than stopping at the first.  For me, the Assassin’s games have always represented a series that largely allows you to play as you want, as long as you get to the end goal.  Sure you may miss some optional bonuses, but the core of the objective was always achievable.  In this case, China has gone so far down the route of sticking to the full-stealth option that I just couldn’t bring myself to want to keep playing, and that’s kind of an unfortunate end result.