Tag: switch

Posted on

Game Ramblings #137 – Spinch

More Info from Queen Bee Games

  • Genre: Platformer
  • Platform: Switch
  • Also Available On: Windows (Steam, Humble, GOG)

This is kind of a ramblings about Spinch, but also kind of not. On the one hand, this is the type of platformer I really enjoy. Mechanically it’s simple, but it’s extremely tight. It’s difficult because of design, but easy in execution so it all comes down to skill. On the other hand, it’s also the type of game that I increasingly can’t play. Rapid changes in direction on the analog stick and button presses cause flare ups with carpal tunnel problems that limit my ability to execute those mechanics. It puts me in a weird spot where I can basically enjoy the game up until the point where I can’t, but mostly because my hands refuse to let me.

At its core, Spinch is a simple game. You can run, you can jump, you can wall jump, you can dash. That’s it. It puts a simple rule set in place, then provides you with ways to puzzle out trying to not die. Sometimes the puzzle is simply to time out your movement to fit into a gap of hazards. Sometimes the puzzle is hitting buttons to change the path to get through to the finish. Sometimes the puzzle is simply being good at jumping from platform to platform without falling to your death.

It’s all your standard platformer fare, but it’s done so well. Jumping is the right amount of floaty so it doesn’t feel stiff but is extremely predictable in height and distance. Wall jumps are extremely sticky so you can reliably hit them on small edges but still move up a wall extremely fast. Dashes provide an instant speed boost so there’s not a weird sense of lag when you execute it. Starting and stopping has a bit of acceleration in general movement so you have a bit of a weighty feel to the character, despite its small size. It all just feels very good and rewards the player by putting their skill at the forefront, rather than making the difficulty based on complicating things.

However, the downfall of all that is that the tight mechanics often lead to quick and rapid executions. As an example, the water world above has a pretty constant rapid tap of the jump button to work your way through small areas. An ice world had me doing rapid micro adjustments on the analog stick to throttle my movement to avoid falling spikes on slippery floors. A plant-style world had me doing large wall jump sections, involving both micro adjustments on analog to stick to the wall AND rapid jumping to scale it. In a vacuum, these are all really well executed mechanics. However, as someone with carpal tunnel issues, it leads to an inability to play the game beyond a certain point.

These kind of mechanics cause weird problems for me over time. It starts as general fatigue, which is annoying but fine. My general APM starts slowing down as my ability to quickly move my hands goes down. If I keep ignoring it it starts branching into outright pain – generally pretty localized but obvious. If I’ve gotten to this point without stopping, then I already know I screwed up. If I keep ignoring it past that, I start outright losing feeling in my fingers and then I know the next day will not be fun. At that point it’s not just gaming that becomes problematic – simply spending the next day programming becomes a hassle.

Avoiding these kinds of repetitive motion mechanics is something that I’ve put a lot of thought in because I ultimately want to make games that the widest range of people can play with the best integration of skill. However, some games just can’t do that on their own. Skill-based platformers are one of those. Mario type platformers avoid these problems because they’re often more about the experience or player flow over tight execution. They have some flexibility in safe timing or stretches of minimal changes in inputs. However, games like Spinch? Super Meat Boy? Celeste? They don’t exist if you move them closer to Mario. They simply are as good as they are because they mechanically exist as they do. At this point I don’t know that I have a good path towards a solution here besides the obvious ones – get surgery and solve the problem, use something like an Xbox accessibility controller to get the motion away from my thumbs, or accept it as reality and play these games in small doses to get through that sort of videogame craving that comes up.

So far, I’ve leaned into the last option.

In any case, Spinch is another really tight skill-based platformer that I think is worth checking out, despite my carpal tunnel problems. This one hits that same need for me as Super Meat Boy does. I can jump into these games without thinking, quickly get back into playing shape, and hammer out a few levels before popping it back on the shelf. They exist in that place where they’re good because of simplicity and work because those simple mechanics were polished until they were perfect, leaving a game without fluff.

I just wish my hands were a bit more cooperative…

Posted on

Game Ramblings #131 – Bowser’s Fury

More Info from Nintendo

  • Genre: Platformer
  • Platform: Switch

I’ll make this simple – Super Mario 3D World is still fun and still worth playing. If you buy the cart just for that game, you’ll be happy. However, Bowser’s Fury is easily the more interesting part of the package. It’s an entire experiment in what Mario could be as an open world game. Some of it works well, some of it doesn’t, but it’s an interesting look into what the future of the series could potentially be.

It took me a while to really put my finger on what this game felt like, but it hit me that this feels like playing Super Mario Galaxy, minus the gravity manipulation. As you run around the world, you hit cat gates that act as the entries to individual objective areas. Each of these areas acts similar to a galaxy in that you go through it multiple times to get shines, and each shine has its own little modifications to the environment of the section. Where the magic comes in is that there’s no load times. You finish a shine and can go wherever you want. The next time you come back to the area, a new shine is available and the modifications to the environment in the area are already active.

From a general game rhythm perspective, it ends up being a sped up version of Galaxy. It’s such a small functional change, but not having to drop out of the world speeds up the game so much. You finish a shine and just keep going. There’s no transition back to an overworld or hub. There’s no waiting on loads and title screens. You just run and go. It helps that some shines are also available for partial credit as you run around doing others. For example, each area has a cat badge collection shine that can be finished at any time, including in the middle of working on other shines. It all feeds back into keeping the player moving as much as possible, rather than having to hop back and forth.

This kind of feeds back into what I talked about in the Ys IX ramblings, but this ends up being a game that just keeps you moving, and it’s what I’m most excited about in a potential open world Mario game. Super Mario Odyssey did a great job of packing the individual worlds with a ton of stuff. While those worlds were big and fun, they were also distinctly separate. Taking the scale and scope of things to do and packing it into a future open world (maybe an entire open Mushroom Kingdom?) is something that I never really thought was possible. After playing Bowser’s Fury, I think there’s a nugget of possibility there.

On the other hand, the Bowser part of this experience is just kind of average. As a mechanic tied into the story it serves its purpose but it just isn’t that fun. Bowser pops up periodically to basically just fuck shit up. He throws a bunch of crap around that basically serves to annoy you and then you either fight him as giant Mario or he goes away after a short period of time. There’s also a number of shines that require Bowser’s fury attacks to break some blocks and give access to shines. It just ends up feeling like an unnecessary distraction from the exploration. In general I’d expect this to not exist in a larger open world Mario game, so I’m not overly worried about its existence, but I could deal without the player friction it causes.

However, the boss fight portion of it is fun. Fighting as giant Mario vs Godzilla Bowser is really cool. Mechanically, it’s not that far off of normal Mario fights, but suddenly being as big as an entire level section is fun. Picking up a giant rock spear and chucking it at Bowser is fun. Trying to whack him out of a side spin with your cat attacks is fun. Like most Mario boss fights it isn’t complex, but it’s extremely satisfying.

This is distinctly an experiment. It’s absolutely a pack-in for the port of Super Mario 3D World, but it’s a fascinating way for Nintendo to experiment. They can sell the main game on its own, but still get a lot of player feedback in a way that doesn’t allow for failure. If people don’t like the experiment, no harm, they still have the main game. However, if people do like the experiment? You gave them a great bonus experience and got a ton of good feedback.

Given how well this one turned out, I wouldn’t be that surprised if the next Mario is open world. This one felt instantly recognizable, but new at the same time. Having a very Galaxy-style environment setup without load times is fresh and interesting in a way that surprised me. I could live without the Bowser mechanics, but give me a game with the rest of this experiment and I suspect I’ll be a happy camper.

Posted on

Game Ramblings #119 – Super Mario 3D All-Stars

More Info from Nintendo

  • Genre: Platformer
  • Platform: Switch
  • Originally Available On: N64, Gamecube, and Wii

Replaying these three all at once is an interesting experience. They’ve each got their quirks, and to some extent some have aged better than others, but there’s still a lot to like here 15-25 years later. There’s a common mechanical thread that you can see through each of them and you can see the lessons learned in how the next game has improved. That process of iteration gave us three great games, and ultimately led to Super Mario Odyssey, which is arguably the best of the 3D series.

Of the three, Super Mario 64 has aged the worst. That’s not to say it’s a bad game, but it definitely feels like a 25 year old game. Mechanically it ends up just feeling kind of stiff. All of the new 3D moves are there – your triple jump, side somersaults, wall jumps, ground pound – but they aren’t quite there yet. Jump distance is still a little too dependent on your speed, the threshold for side somersault is still a little too tight, the difference between diving forward and doing a jump kick is still a little too vague, but the thread is there to future games.

The biggest problem at this point for Mario 64 is the camera though. It’s just not good. It wasn’t particularly good when it came out, and compared to modern 3d platformers it’s pretty rough. The mix of some camera control for the player and some forced rotation from the level just feels really bizarre. The games that do it best today are ones that either go full player control or full level control and stick to making those feel smooth. To some extent though, I think it’s hurt by playing on a modern gamepad. Playing on the N64, the different levels of camera depth and direction at least felt correct in that you press a button and a single action occurs. On a stick, there’s a large mental hurdle to get over when holding the stick off to the side doesn’t just smoothly rotate the camera. I don’t particularly care that they didn’t go actual remake on this one from an aesthetic level, but having the camera redone as a modern camera would go a long way to improving on the game as it exists.

Sunshine is where things start to really age better. The mechanics are just that little bit tighter across the board to where actions do what you want consistently without being either too loose or too tight on their requirements. The level goals are a little bit more clear, with a nice introductory cutscene before you start off giving you some clue as to where to head. The levels themselves also have a lot more variety, since each goal is tailored to the specific star, rather than having a sandbox level to get any star at any time.

On the other hand, there are definitely some things where it hadn’t quite reached modern smoothness. Kicking the player out of a level into the hub when they die instead of resetting the star is a weird point of friction to the experience that carried over from 64. The lack of checkpoints is similarly unfortunate, especially given they have checkpoints at the start of the handful of areas where they take away your water pack. This one is especially weird because giving more checkpoints would have allowed them to increase difficulty throughout instead of having sort of low difficulty with longer segments. As a whole though, Sunshine is still a really fun and really playable game.

Galaxy is where it all comes together. If this game came out today instead of 10 years ago, it would still be an instant classic. Mechanically, it’s extremely tight, having reached the peak of iteration on the core 3D mechanics at that point. Lives became so abundant that the stale mechanic of game over became near impossible to hit, which ultimately led to lives going away in Odyssey. There’s checkpoints all over, letting each segment of a goal be more interesting on its own, rather than having to be smooth enough for the player to marathon through the entire thing. The gravity manipulation added on top of it is still engrossing, and it’s something I wish we’d have seen used more often in the years since. Playing through this is one of the few times in recent memory that I’ve played a remaster or emulated port that I simply fell into, rather than seeing the warts.

It was also surprising to me how easily the Wii pointer controls moved over to the Switch Joycon. The pointing isn’t 1:1, but it still feels extremely natural. Given they also have a reset button, it’s also comfortable, which is a huge change. You find a comfortable resting point, hit the pointer reset button, and you’re good to go. The sort of flicking motions you do to grab stars is extremely natural, and now that the spin jump is on a button, you don’t accidentally do that all the time either. It’s a minor change to the overall gameplay, but it goes such a long way to improving the experience over the original.

When playing these, it’s easy to see how much Super Mario 64 influenced the future for the Mario series. The move set alone is in everything Mario related at this point. Triple jump, wall jump, and side somersault are instinct moves in Mario games, and not just in 3D. The New Super Mario Bros games inherited just as much of the bloodline of Mario 64 as it did Super Mario Bros 3. These games were hugely influential on release, and are just as worth playing now.

Would I have liked to see Nintendo do something more than an emulated port for these? Sure. Am I disappointed that we got these anyway? Not at all. Playing through these games is still a treat, even with some of the age spots that are showing on them. There’s been a lot of 3D platformers in the 25 years since Super Mario 64 came out, and the three in this package are still right up at the top of the list in terms of their pure playability. Having them in one spot, and more importantly, having them easily on the go is a great package to have out there, regardless of how little things have changed.